The newest release from these Brookyn-based noisemakers is a tremendous step forward from their earlier outings; each of “Receivers”’ eight tracks is full, dynamic, and impressively produced. Parts & Labor have traded in some, though not all, of their frenetic abstract squall in favor of more intentional melodic progression, flirting with “art rock” influences with wonderful results.
The newest release from these Brooklyn-based noisemakers is a tremendous step forward from their earlier outings; each of Receivers' eight tracks is a rich and dynamic production that elevates the band's noodlings to new heights. Parts & Labor have traded in some, though not all, of their frenetic abstract squall in favor of more intentional melodic progression, flirting with "art rock", Krautrock, weirdo folk, Robert Wyatt-esque obliqueness and much more, to wonderful results. A new lineup of the band, and a newfound confidence and originality.
LINER NOTES:
Brooklyn noisepunk outfit Parts & Labor has dramatically altered their wall-of-sound: Their fourth album, Receivers, finds P&L focusing on open spaces, longer movements, expansive arrangements and loftier goals. On eight epic tracks, Receivers showcases the band's catchiest and darkest moods to date, reveling in a growing dynamic sensibility only hinted at in their previous work. Though they've maintained their love affair with glitchy oscillations and anthemic vocals, they are now utilizing the full possibilities of a band that was once a scrappy punk trio, and now a mature art-rock quartet. It's is a heady mix of psych, noise, and pop influenced by the arty minimalism of Wire, the surreal pop of early Eno, and even the spaced out psychedelia of Dark Side-era Pink Floyd.
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